Escobedo's interest in the cylindrical form of baled hay, its monolithic presence in fields across Europe and traditional pastoral connections within British landscape art, led to the development of a work made for YSP. Escobedo placed twenty cylindrical sculptures in a square acre of land in the Country Park. Comprising an inner and outer mesh, the structures are painted in such a way that they appear to float in the landscape and disappear into it, depending on the weather conditions and quality of light, creating a defined but indeterminable space.