Not Vital

Pelvis, 2008. Courtesy the artist.
Photo Oak Taylor-Smith
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House to Watch the Sunset, 2005 Image 3 of 10
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Moon, 2015 Image 4 of 10
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Moon, 2015 Image 5 of 10
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Let 100 Flowers Bloom, 2008 Image 6 of 10
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Let 100 Flowers Bloom, 2008 Image 7 of 10
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House to Watch the Night Skies, Aladab, Niger, 2006 courtesy the artist
Photo Not Vital
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Man with Dark Glasses, 2012
Photograph: Eric Gregory Powell
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NotOna (Patagonia, Chile), 2009
Courtesy the artist
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21.05.16 - 02.01.17
Underground Gallery, Garden Gallery and open air
Internationally renowned as a leading sculptor, this is Not Vital’s first major exhibition in the UK. With studios in the tiny Swiss village of Sent and Beijing, China, as well as homes in Rio de Janeiro and Niger, the exhibition reflects Vital's nomadic and diverse practice, including paintings and works on paper, indoor pieces made from plaster, silver, gold, marble, glass and coal, and outdoor sculptures in stainless steel and bronze.

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For the first time in Europe, Vital will show an extraordinary group of monochrome portraits, one of them made especially for the gallery and measuring 12 metres long and four metres high. These will be accompanied by large chased-steel heads that mesmerically absorb and reflect light, as well as large heads in ceramic, shown outdoors, made in the southern China town of Jingdezhen, for centuries central to the production of imperial porcelain.
Working with craftsmen around the world, from steel-chasers in Beijing and glass blowers in Murano, to Tuareg silversmiths in Agadez and papermakers in Bhutan, Vital does not have a recognisable ‘style’, although his works often reference nature and anthropomorphism, a relationship to home and to travel, and the surreal. Vital captures and materialises his ideas spontaneously, and to the highest quality, resulting in imaginative spaces, which might be an enlarged camel pelvis in stainless steel, or a house which disappears underground at the touch of a button.
Central to his work is an exploration of the spatial, economic and cultural contexts of his homes and workplaces. One adobe pyramid in Aladab, Niger is a ‘human sculpture’ – a structure in which students shelter and learn, and on which they can sit, sing and pray, transforming the artwork into an open-air schoolhouse (or vice-versa). Vital's multiple Houses to Watch the Sunset are precisely that, drawing out the extraordinary qualities of the places in which they are situated, while simultaneously giving work to local people.


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Wow I love that
Feven on Not Vital | See all (7) comments
Fabulous exhibition, fabulous sculpture park. An experience not to be missed. Emma on Not Vital
Wouldn't have missed it. Loved the moon Susan Hill on Not Vital
Wonderful exhibition. This is the first time I have come across his work and I couldn't have enjoyed it more. As a photographer, I find his work is full of possibilities and rewards. So pleased that this exhibition continues into the winter so I can return and see how it interacts with the weather and land as the seasons change. The Underground Gallery has amazing work in it as well – and I am very pleased that it allows photography. There are also pieces of his work – the Laos Project – in the gallery in the Bothy Garden. These are handmade paper works and have, in common with so much of his work, a meditative quality. Victoria on Not Vital
The range and scale of the work is incredible... immense talent and above all a powerful and bold imagination. Sculptor, painter, explorer and traveller... the art reflects the experience and the personality of the artist.... truly amazing. Stephen Ripley on Not Vital
Loved the big sphere. Rod Hankin on Not Vital
Bowled over by the snowball. Reflected myself in the tongue. Not one it four fantastic camels. It's vital you go and see work by Not Vital Lin Jameson on Not Vital

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